poetry

Shoes

Shoes

They say you shouldn’t judge another person
until you’ve walked a mile in their shoes.
But how are you supposed to feel about
a person wearing YOUR shoes?

- who walks a thousand miles and more but does it
with much more grace and makes it look so easy?
They don’t display the same sloping shoulders
despite the same decaying, creasing footwear,

pronating, though, they still can find the power
to run, and not to trip and fall while others
decide they will not laugh, but help you stand
and others still look on and sympathise.

Yes, who can do that? What are they like these
extraordinary people who don’t appear
to have the same restrictions, cut the same way,
but still they leave me wondering how.

And – trying to find my motivation
I put my hands behind my back and stare
down at my shoes.

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My Jumble Sale Mind

My Jumble Sale Mind

My mind is like a Jumble Sale
where people come to rummage
amongst the chaos, clothes and things
and nonagenarian scrummage.

The day had started out so neat
with tables laid out nice.
But now it’s piled-up, pushed-around
and no-one’s looking twice!

A tumbling hall of bric-a-brac
and long forgotten clothes,
descended on by everyone
all treading on your toes.

You’ll offer things at 20p
and still they’ll barter you down.
They’ll say the object’s not worth shit
then wear the thing uptown!

The things you thought would disappear
have stayed and not been sold.
The worthless crap you didn’t mind
was grabbed and bought as gold.

And so it ends, it’s packed away.
Tired, deflated, late
you’ve only empty feelings now
and ten pounds eighty-eight.

Image © whosjack.org

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Confidence

All I need from you is something
like concern, and being gentle,
empathy, the loving touch of
hugs, or questions like: How are you?
My God, that must be terrible!
To show me that you care or just
believe in me would bring me some

Confidence

Life is hard, and so are you
Making life much harder still
sad, I’ll look for all that stuff
somewhere else. I’ll find the fuel
Love brings. Someone else believes
somewhere I’m a good person
who’ll reach fifth gear sometime soon.

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Stillness

Time goes on. I watch the seconds, minutes
and hours tick away like passing cars.
I haven’t noticed. Except the odd
peculiar detail. And then they go.
Within a moment unremarkable.

The stacking up of urgent tasks. Ringing
phones. Impatient e-mails won’t bring me round
because I’m hit by high demands and
damage done has given way to lower
thresholds and expectations than before.

Simple tasks are incomplete. My eyes are
red and heavy. Short breaths. Heavy limbs. Days
long; as if I’ve over-reached. Stung by life
half a search for serum. An antidote
to cancel out this strange unwelcome poison.

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Paranoia

The questioning the actions.
The reading subtle signs.
The analysing stupid things
that aren’t between the lines.
The only option possible
is one you have in mind.
The only truthful answer is
the one you’ll never find.

The “Nothing’s wrong!” that never works
and never satisfies.
The way it feels and compliments
a lifetime’s worth of lies.
The friendships that are twisted
are never quite the same.
The playful dance of quiet thoughts
perpetuate the game.

The way forgetfulness forgets
the way it started out.
The non-existent whispering
imagined as a shout.
The tapering of friendliness
that ends in being alone.
The rarer sound of human voice
that follows ringing tones.
The justifying arguments
repeated every day.
The bubbling resentment
that never goes away.

I seem to have fallen back into poetry again, after my last rather intense bout of art show work. One of the advantages of being multi-disciplined is that when you burnout on one artistic form (painting), you can fall back on another (poetry).

This latest poem is one that has tumbled out amongst a whole host of others over the past few days. I tend to write nothing for months and then finally a whole lot of poems will come out at once. I’m currently writing another one that’s very long and story-like, provisionally titled “The Ballad of Facebook”, so it might be a while before I post it.

I appreciate that paranoia is not the most livening of subjects, especially while most of the world is celebrating right now, but I’m aware that I owe you all a post as I’ve fallen silent for a little longer than normal. This poem has just been completed. Ink barely dry and all that.

I’m wondering if anyone else can relate to that feeling of paranoia. Have I described it accurately? Is your experience of it different? I wanted the poem to have a slightly naïve air, as I think paranoia stems from naïveté. (Did I put all my accents in the right place there?) I’m sure there are some cunning linguists out there who will be able to tell me…

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White Van

She wasn’t very young. She’d had a life of hauling
things around. Her latest beau’s a fitter
that’s working hard enough to leave her keys
inside her un-attended. Then she went.

Abandoned and gashed along one side
she crashed out right in front of council flats -
a hidden part of Southern London – rare
that someone comes there just to hide.

And then the raping starts as kids break in,
go in and out her sliding door that’s on
the side, and open up the back with ease
before they rip the innards out and spread

the contents everywhere. The carpet tiles
and underlay, the grip-rods, scaff poles, tools
and spray paint cans all arcing through the air
and sometimes used to mark surrounding things.

Her owner came and rescued what he could.
He brought his brother’s bravado – useless when
the kids had gone for tea. The men could not
save her. Insurance men were called. They couldn’t

turn her over. Turn. Turn turn.
Turnturnturnturnturn.
Turn. No. Battery: dead.

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They came.

They came
straight in, no pause
“Now this I’ve got to see”,
she said and carried bags and
some coats to keep them clean from blood
and then the sound of someone being
kicked. A sound like sandbags. thud. thud thud. thud
as fifteen people set about him, trainers rain
the thuds along with “FOK”, “You FOKing FOK”, “You do
that for?” And probably he knows or doesn’t think he
don’t deserve it as he collapses on the floor
he needs to be supported by his mates but
instead they pick him up and take him with
and off they go and drain away. It’s
dark and quiet – peaceful now there
is nothing left to show for
this entertainment. Close
the blinds and up the
fear for all
concerned.

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e e cummings

e e cummings

I came across a good poem by e e cummings today.

I’m reading a compilation of his selected poems, and to be honest it’s been heavy going. I like the idea of reading something that is mutilayered, but in his case, it’s possible to have too many options.

As you may have surmised, I wasn’t looking forward to whiling away my journey in his company, but earlier today I read a poem that was so good, it made me feel bad for cussing him on Twitter this morning. I thought I’d share it with you:

hate blows a bubble of despair into
hugeness world system universe and bang
-fear buries a tomorrow under woe
and up comes yesterday most green and young

pleasure and pain are merely surfaces
(one itself showing,itself hiding one)
life’s only true value neither is
love makes the little thickness of the coin

comes here a man would have from madame death
neverless now and without winter spring?
she’ll spin that spirit her own fingers with
and give him nothing(if he should not sing)

how much more than enough for both of us
darling. And if i sing you are my voice,

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At last! I’m in print!

I got my first copy of my first ever poem to be printed today. Cool! As you can see, it’s been put into the book opposite a reproduction of the icon I did for the moot community, which is good all round, and pretty exciting.

It has been published in a book called “The Becoming of G-d” by my mate Ian Mobsby. He went off to the States yesterday to embark on a speaking tour to publicise the book.

He’ll be at The Episcopal Book Store, 815 Second Avenue, New York, NY 10017 later today from 4.30pm to 7pm, (if you’re reading this from anywhere near there do drop in, he’d love to see you) and then on to other parts of New York, followed by Montreal, Canada, Jamestown NY, Chicago IL, Denver CO, Vancouver in Canada before ending up in Seattle WA on the 1st of July.

If you want to catch up with him, check his full itinerary here, and be sure to say Hi from me.

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Esau

Two Brothers

I am important. To me
you don’t seem bothered. At all.
You don’t put time in – with me
it’s all work and business like.

I’d love to rescue a piece
of something useful from this -
the history shared by us then
has made us men, and shattered us.

I’m not important. To you
I’m part of brokenness. Trying
to live a better way. But
just tell me how you’re doing.

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A sonnet

I wrote this sonnet ages ago. I needed to find it again last night, so naturally I came here to look for it (hey, I don’t store these things!) and couldn’t find it.

I realised that I hadn’t actually posted it. Horror of horrors.

After frantic digging through old notebooks, I finally re-discovered it. So here it is:

The park I take my kid to every day
has always got a scar or two from nights
before when older kids graffiti spray
between the scooter runs and knifing fights
and bites were taken out of children’s swings
by fighting dogs to sharpen up their teeth.
The morning’s fallen leaves and other things
disguise detritus lurking underneath.
My little girl knows nothing of this world.
She loves the slide, the sandpit, climbing frames,
the roundabout from which she’s often hurled -
just innocent equipment for her games.
And over there beside the broken fence
she’ll carve a better space through innocence.

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Perichoresis

I’ve just submitted my first poem for publishing. It’s going to go in to a theological book, by a friend of mine called Ian Mobsby – the book is called “The Becoming of G-d” and will be published soon.

I’ve read a lot of the book, and it focuses on recovering a better understanding of the Trinity. It gave me the idea for writing a large chunk of the poem in dactyls, which have a kind of ONE-two-three rhythm, which I could then break up with iambs, as the idea of interjection by writing takes hold.

A dactyl consists of three syllables, with the first one being slightly stressed. Some example of where this crops up naturally in the English language are words like “Happiness”, or “Perfectly” you would naturally say “PERfectly” rather than “perFECTly”. Trying to construct an entire poem out of dactyls is a bit of a task, but I think it has some merit. Here it is:

On Friday nights we went to clubs
until we noticed something that
night when the three of them came and took
over the regular dancing. So

Did the Creator throw shapes on the
dance floor whilst dancing a salsa that
turned all the heads of the punters there?

Vogueing away while the other two
scattered. They took up their places but
somehow remaining together there

How the Companion perfected that
fight in a way that was calming them.
Making them friends from thereon until

Now. The Revealer is reveling
showing us all just a little too
much how its done by his lead for us

Dancing together while beckoning onlookers
come on and join us, and have a good
time. Doesn’t matter it’s happening.

Keeping the rhythm up copying
maybe looked easy as no-one would
dare to reject their advances then

in pairs we couldn’t make it work
and groups of us tried sussing out
as individuals put together
were fitting triplets into four time.

We stopped the dancing, getting going
on paper noting down what happened
as dancing disappeared while writing
and scrapping round some bits of paper.

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Manflu


My body’s wracked with never-ending pain
I try to swallow through a swollen throat
another cup of honey, lemon – hot,
my bed is soaked and heavy with my sweat.

I shuffle sadly to the nearest doctor
with all the sadden pathos of an opera
to plead my case for need of medication
and hope I do not need an operation.

I’ve watched through every DVD I have
and then again with commentries. I blow
my nose again and clear away more snot
that exits from my nostrils day-glo green
the likes of which is normally not seen.
My scrunched up tissue tower nears the ceiling
and no-one understands the way I’m feeling.

I crawl back into bed to sleep again
I don’t believe I’ll ever feel the same
my body’s wracked with never-ending pain.

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Spatchcock

I didn’t say the thing you thought
I said. You misinterpreted
my words with “should”s and “ought”s.

No WAIT. We’ve gone to something else
instead of what it was. I’m still
a little angry. What she tells
me isn’t that. You’ve made me ill

with this. I’m going to thump you in
a minute. Just a minute. Let
me say what I’ve been trying to
say from the start. It was something
vital. Something helpful for us.

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I Cannot Tell, Verse 1

This is my take on an old hymn – I’ve re-arranged the words to make a poem of lament. To me, this is a little more real than the usual triumphalist bullshit.

Blogged with Flock

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I Cannot Tell Verse 2

Blogged with Flock

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I Cannot Tell Verse 3

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I Cannot Tell Verse 4

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Untitled – a poem

Hyde%20Park.JPG

The thought has come to me before
at times I want, at times of stress
like now. I look at flowers grow
too beautiful for words, I think
about their death. And mine. Amongst
a thousand others. Hidden here
this garden quietly grows between
the city’s noises, roads and buildings,
as if some grass could halve the pain
we know we have to carry knowing
that death will bring us to a stop.
I sweat blood.

The thought has come to me before -
my life has been a gamble, not
on rolling dice like these two here.
I’ve understood experience
as something bringing change to this
short life. I might be wrong. I think
of everyone I’ve known. The women
are here. My friends have gone away.
Their lives are finite, too. And how
remembered will we be? Too late.
There’s nothing I can do about
it now. My breathing is erratic.
I’ve finished.

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Bus to Work – a sestina

Waterloo Crater 1

It’s pretty easy here. I’m sitting still.
The engine chugs. I regulate my breath
whilst watching passing fathers. There’s his son.
They’re on their way to school. The bus moves on.
A new electric car draws up. We move.
It’s left behind. It’s stopped at lights that changed.

That building site’s a mess. It hasn’t changed
there’s always something happening, but still
the same. It never alters. Will they move
the cones? We’ll hit them soon. Too close! My breath
stops. Beamer driver has to try it on.
It’s grey. The forecast says there won’t be sun.

I try to focus. Jesus Christ. God’s son
is meant to help me persevere. I’ve changed
the way I think. I want to switch it on -
the peace they say you get from God. I still
myself and somehow can’t. If prayer is breath
I’m blocked. By what? A small unknown won’t move.

That cyclist doesn’t want to live. Just move!
These people think they’re it. They think the sun
shines out their arse. She needs to draw a breath.
She’s talked so long without a pause, she’s changed.
She’s gone a purple-red. Good God! She’s still
not breathed! So loud! Wait. Did I turn mine on?

because… Well, if the meeting isn’t on,
this journey’s wasted. What the…? Did he move
my bag? He looks a nutter. Just keep still.
I can’t quite see his face because the sun
is in my eyes behind his head. It’s changed!
The sun came out! It’s lighting up my breath.

I wake most mornings feeling short of breath.
The thought of work no longer turns me on -
the daily route to work that hasn’t changed,
the place I live because I never move -
it’s everyday, but just because the sun
will rise, and stop my body lying still.

And will the breath of God return and move
me on? And resurrect me like the sun
today? I wait each day un-changed and still.

Sestinas are difficult – the idea is that you have to re-use the last word in each sentence in each verse – but in a different, set order (in this case “breath”, “on”, “changed”, “move”, “sun” and “still”) and then you have to use them all in the last short verse of 3 lines (again, in a certain order). I’m making it sound more complicated than it is, but it’s easy to follow when you know what the pattern is. But a bugger to write.

Its great fun, because it can force you to make disjointed sentences that make the poem sound like the ramblings of someone slightly un-hinged, or in this case, the disjointed things that you might think about on the bus.

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11.37pm – Villanelle

11.37pm

A shadow hovers from the past
tonight. And as I lay in bed
I feel my heart beat just too fast.

I turn. I wait. I think it passed
I need to know. I check it’s dead.
A shadow hovers from the past.

Some things grow to be too vast,
and as those things press in my head
I feel my heart beat just too fast.

And when I think that I’ve surpassed
the creeping, cold, despairing dread
a shadow hovers from the past.

A different thought that might contrast
but thinking back to what was said
I feel my heart beat just too fast.

And as I give it up at last
and put it down to how I’m bred
a shadow hovers from the past,
I feel my heart beat just too fast.

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Underground

You think you know, but do not know me well
I found another place, another hell
It’s mine, and mine alone, you cannot touch it
The secret place where only I can dwell.

My thoughts were pure, no mediation needed.
Concerned that all my thoughts would go unheeded
I ran away and hid in public places.
How ignorant. You’re proud that you succeeded.

Acceptance only happens when you’re solo -
you’ve got the time to play it back in slo-mo
and realise you made the better choices
than those accusing you of greater lows.

A confidence appeared from God knows where
a loneliness that’s hard enough to bear
and friends appear, concerned, and bring temptations
as power shifts from things no longer there.

This is my first attempt at a “rubai” form of poetry. The form grabbed me, as its origins came from the need to pass around subversive information without being detected. I think there may be more verses, and it needs a little work.

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Rum Royals

Their skins are taut, their eyes are bright – they’re royals.
I bet the most expensive balms of man
are slathered on each night, preventing boils
from ruining the smoothness of one’s tan
whilst one’s on horseback flouting hunting bans.
For this and other crimes, you’d best take note -
Republicans are desperate to vote.

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Minor Altercation

But I’m not avin time for people like
that. D’you get me? Scuse me bein rude but
your bike’s there. How’d I get dis up the step?
I don’t think you got no sense. Thank you.

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My one and only Haiku

What is the point of

English poetaster tricks

by cunning linguists?

 

 

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Current Affairs Couplets II

It’s sunny now that autumn has arrived
The kids are back at school – and we’ve survived!

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Current Affairs Couplets I

The London Public Transport system sucks
The summer was nice weather for the ducks.

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RS Thomas – nailed it!

In a previous post here, I was attempting to write a poem about the poet RS Thomas.

It didn’t quite work, but after much wrangling, I think I’ve finally nailed it. It centres around the character of Iago Prytherch (I’m not quite sure how you pronounce Iago Prytherch, but I tend to pronounce it Ee-arr-go Prith-erk), who he mentioned repeatedly in his poems – I’m very pleased with the result. Here it is:

RS Thomas give it up, man!
Prytherch does not give a damn -
Did not really give a monkey’s
For your poets or their flunkies
exorcising guilty feelings
in a way that’s quite revealing.

Thing is, it’s quite boring, Thomas -
having this inflicted on us:
Rural worthiness and God
in a way that’s very odd -
My God’s in a place more urban -
More a universal version.

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To RS Thomas

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This is another work in progress. I can’t seem to finish poems at the moment, but I think that this one might just stand up as 2 verses, as is. Any feedback would be welcome.

To RS Thomas

GIVE IT UP, MAN!
Iago Prytherch
doesn’t give a monkey’s.
He did not care
for poets or their flunkies.

He had a choice
as you did too
though we kid ourselves
that choices are something new.

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Work in Progress (Psalm 22)

lon_rainy_street.jpg

I have started writing this poem based aound a re-interpretation of Psalm 22. Be warned – it’s not very uplifting.

Dull in the Morning

My God, my God
why did you forsake me?
why didn’t you save me?
why did you run from this?

Inside
I’m screaming
all day
no answer
all night
silence.

It’s alright
for you.
You’re the King.
Everyone loves you.
My father trusted
and you delivered alright
trusted and disappointed.

But then -
I’m a worm
not a woman.
Scorned by men
hated by everyone
mocking me
insulting me
shaking their heads.

You brought me out of the womb
then you made me trust you
from the breast onwards.
From birth
no choice
womb onwards
you have been my god.
But you disappear
at the first sign of trouble.

Bull
all around me
the strong smell of bullshit
suffocates me.
Roaring, tearing
their prey
opening their mouths
wide on me
poured out water
bones out of joint
my heart like wax
burning inside me
my strength dries up
my tongue sticks
to the roof of my mouth
laid
in the dust
death
dogs surround me
a band of evil men
circling me
piercing me
I can see all my bones
people staring
gloating
they divide my clothes between them.

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T-Shirt


I wore this t-shirt
when I was five.
It fit me better
back then
but I keep it now
to remind me that I’m still alive.

My t-shirt was smart
it was deep blue
when I look at it
it reminds me
of you.

I framed it
and hung it on the wall -
everyone who visits
can see a smaller me.

It’s faded now
but you can still see
past the holes.
And I am still convinced
that one day
I will wear it again
with pride.

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Biriyani

A plate full of dhansak
a plate full of pulao
a plate full of gobi..

For a mealtime
at least
a man who would be king
eats like one -
shovelling it down
like a Cnut
trying to hold back
the inevitable tide
like Cleopatra
poisoned by Cobra
he can feel his veins
pulsing
more pulao
a piece of chicken
naan
like Ghengis Khan
he attacks waiters
their poor service
naming each one:
“Abdul”
or “Oi”.

A stuffed paratha
is presented
a peace offering.
Head bowed,
bent knee,
like Sherpa Tensing
offering to carry a burden
to cover the shadow of disappointment;
hot, lemon scented towels
wipe away the tears
please come again
10% service charge added.

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Strawberries, Rest & Motion

These small red fruit
are known as “strawberries” -
At least, that’s what I’m told.

But I can’t say “strawberries”
so I’ll call them “bodies”
as I’m barely two years old.

- a poem inspired by watching my daughter eat strawberries at lunchtime today.

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Smoker’s Prayer Movie

I made a movie to accompany the poem that I wrote.

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The Smoker’s Prayer

Today is Ash Wednesday, the first day of Lent. This poem seems appropriate for the day.

Lord
As this flame ignites
tobacco and paper
so ignite me
with your consuming fire

Breathing in
this mix of good
and bad air
this quickening death

Breathing out
as I let go
both the things I cannot cope with
and the things I can
a temporary relief

And as I stub this cigarette out
I remember that I too
will one day burn no more

For dust I am
and to dust I will return.

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Acre Lane

Walking down the street
One day
I separated
I was crying
divided in two
a casual observer
watching myself cry
beside myself

What’s the matter?       
I casually asked        (No Reply)
Not knowing how long
This division would last   

Mildly anxious            (Keening)
disinterested           
wanting to join in
enviously detached

Building annoyance       
Look                    (Accept me)
what is this about?       
No patience

I give up               
this puzzle
wasting of time            (Breathing space).
a nonsense           

And I think I am whole again.

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